The best way to learn about screenplays is to read a variety of film scripts. But before you can understand everything you read you need to know about basic script terminology.
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Most of the following applies to both film scripts and television scripts.
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The basic transitions from one scene to another are:
- cuts - instantaneous changes from one scene to the next, as in 'Cut to....'
- lap-dissolves, also called dissolves - where two scenes momentarily overlap during a transition from one to the other
- fade-out and fade-in -- fade-out consists of a two-or three-second transition from a picture to black and silence; and, of course, a fade-in is the opposite
Traditionally, screenplays (dramatic film scripts) start with fade in and close with fade out. Fade-ins and fade-outs within the production can signal a major change or division within the story structure, such as a passage of time. And, as we've noted, they can also indicate a division in the story structure where (for television) commercials are inserted.
An insert shot is a close-up of something within the scene. For example, after a man looks at his watch, you might see a cut to close-up of the watch where you can clearly see the time.
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A cutaway is a related shot that is 'away' from the basic scene. During a basketball game you might 'cut away' from the game to a shot of the cheerleaders, the coach, or cheering fans.